Wednesday, October 29, 2008

Fotos De Jumbos De Portivos

Party Pick up your pieces

As someone who has lost in the woods and it is late and is cold, no matter
leaves a promise to each scintillation enchanted grotto,
the whispers of the evening were the laughter of the missing
the birds change color just in time to no longer be the same, "
ever want to watch the fire within four walls.
not say that the journey was imaginable time overtones incesantemíente
designed in memory of oblivion,
but was rather see stories paraded during phosphorescent water,
always the threat of a paw on the verge of erasing it,
outcomes always dark in which I lay no hand
or am in a scene in which death has starred in all the papers.
There were prodigies.
Every trip includes nature reserves in the museums that haunt us.
I can talk, for example, human
it is transmuted into a cloud when he calls the distance, and it may be
who claim the same for each ear half the world, or that
propagating images of love, as a repetition of the echo, and perhaps
is the same in whose shadow grass grows only lost paradise. Each
burst your game undecided
each night without turning on your back, in its orbit uncertain.
There was also the message of the rain that fell at the same time [two places
and black butterflies simultaneous appearances on all windows and sunsets
contagious and spread by the tenacious pest in the landscape.
wonders and I could cite other errors not captured la crónica,
rarezas y ejemplares nunca domesticados por pregones de feria,
pero no quiero contemplar dos veces lo que vuelve del polvo o es rehén de otro reino.
Que repose intocado con su bautismo de insoluble sal sobre la frente.
¿Y para qué despertar uno por uno los accidentes del camino?
Quedaron señalados con un sello indeleble en los relevamientos del subsuelo,
como si fuera útil ¿para quién? el ejemplo o necesaria ¿para qué? la advertencia,
como si yo pudiera ser la misma aunque no cambie el río.
Entre suelos que corren y límites que se sumergen o que vuelan
las pruebas fueron tantas que no acerté los tiempos;
confundí las people, inputs and outputs, customs and tattoos;
with the demolition of the years built mazes instead of bus stops;
fell asleep and woke indoor harassed by hunting dogs.
At one time I paid my lights to the foolish virgins:
left me dark, I ransacked the sparrows.
do not think, no, it was all stalking, or bite, or ambush. Guardo
somewhere day and night as huge pieces of the party
and only should be deployed, brighten faces,
try and repeat episodes gestures,
as if someone had chosen to be characters in a dream.
While it may be best preserved
folded with the cuts frustrated
beautiful excursions and port plans and cities in which there is no one to host the dawn
and map the planet with its flora and fauna were stained
melancholy and unapproachable horizon tape.
Now I'm sitting on the grass and do my count insomniac.
Should I not have gone to the weather? Or change the path? Any step backwards
can reverse suddenly the prospect of a tale. All
glance over the shoulder may adulterate the innocent scenarios.
It's late and cold beneath the stars that still shine, it's never current, but
perhaps there faded away.
I'll go into the house. Someone is awake
squeezing the shadows, having the logs.
Is ignoble peace? Is sedentary fire?


No. 7, the night drifting (1984)

Monday, October 13, 2008

30 Day Free Trial Ilife



Susy


No, do not cry for you
already dropping the evening and the morning on the last day and ever ";
cry for the little girl of two old white portraits
that of the future and you were wrong, this
denied twice in the dark side:
" Olga, which was not. "
Standing detained you step off the pyrotechnics of light
what prevented you get to the swing that ranges from the clouds?,
who cross your path with a black braided rope for dogs of hell?
who bears what is now tearing unbearable?
In front and in profile, the helpless smile of wonder to be born, begin your wicked
handbook of inclement
his arms dangling and one hand resting lightly on the velvet leaves, the sweetness
fleeing. What
then looked so lost
unknown faunas referred to as a clumsy drawing unreadable? Maybe you saw
projected on the wall of dizzying shapes Destination:
flights tracing the mother fools ever more distant circles,
a growing shadow-like monsters tamed by the father,
the collusion of mirrors where the sisters are always hidden, and the final
love, maze blind confuses everything
the handful of dust shining between his fingers,
punished with the whip, the fire and the knife.
still do not know. Even
were a brilliant band behind the comet unattainable
the little girl who spins like a sun among acacias, crowned with yellow rain;
the interpreter of the fox, the stone and the ant, the guest of honor
rabbits, that the bread crumbs with his laughter
which bewildered looks up into the night and shakes incomprehensible
between the sheets when he hears the voice of an unknown god threatening lightning.
I have seen this creature of dread
peek at your face like grim resurface from the depths to the surface waters to spy
again between the slats of a scene unprecedented carriage;
see it yet again to shake off your sobs, slip in your tears,
atrocious hand while rushing down the slope without end against the cliff.
Where were the sleepless angels? Where, the diligent providence?
Pick up the pieces.
I'll lend you my grandmother, that they wanted and walk
and so busy for all hospitals in the heavens.
join the fragments will know your seams invisible, with saintly patience.
And let me in your two-stroke lead to you were not, wherever
certainly merge models
intense desire to draft the frustrations and fulfillment.
Then, on any given day, if you remember, when you want, you can stamp your
single face in a glass that faces the world,
even an instant
even a moment that I can read on the back of the highest tag:
"A Olga, I already am. "

No. 6 of the night drifting (1984)

Saturday, October 4, 2008

What To Mix With Eucalyptus

No access

between my hand and the object that comes to meet with difficulty, the needle
the haystack, the key in the current prodigious,
the pearl shines as an appearance in the tremor of the dune-
other hand that always arises is ahead of the game in my hand,
that fits like a fierce cast these miraculous condensation
desire and takes away from a blow my fragile withdraw membership
like earning a bet with my docile unknown destination.

Among my hand and object to it, without searching and without penalty,
-table like a beast on the prowl, the chair with his hidden intention of flight, the lamp
sanctified by their aura of home-
popess always arise another table, one lamp, one chair, wrapped in color from elsewhere;
adulterated visions deposits loss and forgetfulness, a parade
unreal to me like a curtain prevented from reaching the end of each trip.

between my hand and the object trapped after an arduous battle
-the glass at the bottom of the flower opens the shores impossible
the pebble that beats like a bird, the cockroach that I stopped by the foot-
arise Always wrap a thick glass or ice, transparent distances
interposing its lightness like a dream insurmountable
and reject my last dive in the secret heart of things.

between my hand and another hand that is coming to stay or goodbye
divisions there are only illusions, mirages of the verb in each name,
destinations that are only fragments in the custody of the heavens burst
struggling to reintegrate interchangeable and the substance only of God but arise
slogans like tombstones, bones, bodies dug in solitary
bonfires and glaciers that draw borders and show me my place.

And there is no access, no
permeable surface under the glove of stupor
attached to this hand gliding, others, against the walled hardness of the planet.

No. 5 of the night drifting (1984)